Civilisation

In his art man seeks forms of perfection
Through order imposed by selection.
This creative expression
Leaves a telling impression
In man's civilisation's complexion.

The British art historian Kenneth Clark (1903–1973), was the author and presenter of the BBC landmark television series Civilisation. In the episode, The skin of our teeth he reflects, "It means that at certain epochs man has felt conscious of something about himself — body and spirit — which was outside the day-to-day struggle for existence and the night-to-night struggle with fear; and he has felt the need to develop these qualities of thought and feeling so that they might approach as nearly as possible to an ideal of perfection — reason, justice, physical beauty, all of them in equilibrium. He has managed to satisfy this need in various ways — through myths, through dance and song, through systems of philosophy and through the order that he has imposed on the visible world. The children of his imagination are also the expressions of an ideal."

Though Clark's series was focused on the the role of art in man's civilisation, this expression "children of imagination" may apply equally to how science has supported the ascent of man.

The Ascent of Man

Through the ages of man has grown thought,
The ascent has been hard and close fought.
First we fell then arose,
Climbing paths that we chose.
At this peak, this "New-Age" appears fraught.

The Ascent of Man (1973) was a landmark BBC documentary series, written and presented by Jacob Bronowski. The book and the series explored the cultural evolution of mankind, centered on science. It was depicted as an ascent through man's ages of understanding and thought.

In a sense it was Bronowski's challenge to the emerging "New-Age" thinking; Bronowski's view was that man be understood to have his proper place in the natural world. However threatened the individual may feel, he must "accept the subtle but closely woven evidence that man is not different in kind from other forms of life; that living matter is not different in kind from dead matter; and therefore that a man is an assembly of atoms that obeys natural laws of the same kind that a star does." Bronowski realized the profound impact of this statement, "the crisis of confidence that springs from each man's wish to be a mind and a person, in the face of the nagging fear that he is a mechanism . . . can man be both a machine and a self?"

Perhaps "New-Age" thought is a reaction from extreme skpetical claims that seek to deny mankind has any spiritual identity. For many this is a bleak outlook that conflicts with their experience and results in a retreat into pre-Christian (in some cases pre-Abrahamic traditions). What is needed is a reconciliation between science and religion, a Post New-Age Age.